Halloween Horrors from the Warwick's Staff

It’s Halloween. Time for ghosts, ghouls, witches, zombies and all things that go bump in the night. This year Warwick’s Staff put our heads together to come up with a new Halloween reading list. Instead of picking our favorite spooky books, the staff has compiled a list of the scariest books we have read recently. From horror to reality, these books span the gamut, and perhaps may give you that perfect read while awaiting those trick-or-treaters tonight. Happy Haunting!


Lydia, Assistant Children’s Book Buyer: 2030 by Albert Brooks. Although the story takes place in the near future year of 2030, many of its prescient issues and ideas affect us today. An earthquake has rocked Los Angeles. Can we afford to rebuild the city? Think creatively! Meanwhile, a huge grumbling underclass of young and middle-aged people staggers under the weight of supporting a fabulous lifestyle for seniors who are living into their 100’s. By turns hilarious and terrifying, this is the scariest novel I’ve read recently. It continues to haunt me.

Jolene, Gifts: The Silence of the Lambs by Thomas Harris. This one is an older book that I’ve recently read again. It always scares me, especially in a dark room!

Sam, Local Author Coordinator: Night Film by Marisha Pessl. I normally don’t get scared by books, but this one did! I had to sleep with the lights on—so scary, but so good I couldn’t put it down.

Sam also picked The Circle by Dave Eggers. Eggers depiction of the overwhelming influence technology has over us, and our blind willingness to allow it was spot on. It was really creepy.

Janet, Bookseller: Burial Rites by Hannah Kent. Bundle up and keep warm while you read this dark and creepy novel set in Iceland during the 1800’s. It’s the tale of a woman awaiting execution for the crime of murder. To make it even more horrifying, the story is based on actual events. I could not put it down!

Jim, Bookseller: The Night Strangers by Chris Bohjalian. What starts as a lovely story about a country house becomes something much more…and horrific.

Lynn, Office: NOS4A2 by Joe Hill. Loved it! Too scary to read at night.

Heather, Marketing Coordinator: Night Film by Marisha Pessl. Not only is this book my favorite read of the year, but also by far the scariest. From page one the tension, and possibility of (I’m not telling) the supernatural, kept me engaged and literally white knuckled. This is one of those intense books that mess with your head in all the right ways. I might not have been scared stiff à la Paranormal Activity, but I was certainly on edge. A truly brilliant scary book freaks you out, but keeps you yearning for more, Night Film does just that.

Kim, Buyer: So Sexy So Soon: The New Sexualized Childhood and What Parents Can Do to Protect Their Kids by Diane E. Levin, Ph.D., and Jean Kilbourne, Ed.D. So Sexy So Soon is about how tweens grow up in our overly sexualized society. I was frightened page after page hearing real life stories about how our children seek to be "sexy" like their favorite characters of TV!

John, Book Buyer: What book keeps me awake at night, fearing what I might awaken to the next day? It's It's Even Worse Than It Looks: How the American Constitutional System Collided with the New Politics of Extremism. Truth is not only stranger than fiction, it's scarier. I doubt the combined talents of Poe, Shelley, and Lovecraft couldn't dream up anything more menacing than our present-day Congress. Boo!

The Dead Have Risen...

What would you do if someone you loved, someone who meant the world to you, who made your life complete…died?

What would you do if fifty years later that person showed up on your doorstep—never having aged, without any recollection of where they had been?

That is the very dilemma facing Harold and Lucille Hargrave, who lost their son Jacob to drowning in 1966 when he was eight years old. When Jacob appears on their doorstep fifty years later with an FBI Agent, “returned” from the dead, the elderly couple find themselves unearthing old hurts, long since patched over with the trappings of everyday life as they struggle to deal with the phenomena. Is this Jacob really their son? How has he come back? Is it a sign from God? As more and more of the dead return, the entire world finds itself asking the same questions, with devastating results.

The Returned is part science fiction, part family drama, part philosophical treatise on human nature. DelvingThe Returned such an engrossing read, one you can’t help but discuss and mull over for hours after the final paragraphs.
deep into groupthink and the human psyche without forsaking a genuinely riveting story, Pushcart Prize-winning author Jason Mott creates a narrative that is compelling and heart-wrenching. As the story unfolds readers are literally held captive by the questions that arise with a plot of this nature. You find yourself wondering how such an series of events could occur—is it God, Satan, is this the rapture—but in reverse of what we’ve always thought, has the world gone mad? As the people of the world break into groups both for and against the Returned dead, family members turn against once dead loved ones, and the Returned are relegated to internment camp-like facilities, it is nearly impossible to figure out how a book like this could possibly end. The sad revelations regarding human warmth and understanding, and our capacity to cause harm to others out of fear is remarkably present here, but Mott also manages to show our great ability for compassion—a Jewish family risks all to hide a group of young Nazi soldiers killed in World War II only to Return to a new world, a townswoman hiding an entire Returned family in order to save them from the camp, a son who watches over his Returned dementia-ridden mother—all examples of our capability of showing love, even when the rest of the world is descending into a manic paranoia. It is this dichotomy that helps to make

As a reader I love sharing books, and discussing them, but I can honestly say that I have yet to have a book discussion quite like the ones I’ve had following The Returned. From concepts of faith, to morality, philosophy, and the frightening actions that arise out of fear; The Returned keeps you on your toes, and further, stimulates in a way that goes beyond the intellectual, touching your heart and moral soul. This is one book that is guaranteed to get you thinking and talking, and will leave your breathless in the end.

Tami's Playlist

This month we are featuring a selection of recommended reads from one of our newest staff members, Tami. While Tami may be new to Warwick's, she is actually one of the most experienced booksellers on staff, with over 16 years of experience in the book world. Tami is an avid reader, with an array of reading tastes and styles (and she's a member of a book club, so ask her about suggestions!). Here's what is on her playlist this month:

And the Mountains Echoed by Khaled Hosseini
Once again Hosseini transports us from Afghanistan and beyond, to Paris, San Francisco and the Greek Isles. Filled with memorable characters, we feel what it is to be human, the need to be connected, and the nature of family. In poetic prose, and epic in scope we see the ripple effect our choices make through generations to come. Beautifully told, complex and thought provoking. His best book to date and one not to be missed.

Doc by Mary Doria Russell
The history of the west comes to life with the flowing prose of Doria Russell. The well born classically trained and educated John Henry Holliday, Doc, moves to the Texas frontier to combat the effects of consumption. The refined dentist turned professional gambler partners with Kate Harony and Dodge City is forever changed. Meet the Earp brothers, Bat Masterson and a cast of colorful characters and live life before the O.K. corral.

Transatlantic by Colum McCann
A master at developing disparate stories and weaving them together, McCann has done it again. Ireland is the common thread as we witness the first flight from Newfoundland to Ireland, the life changing trip of Frederick Douglas and the brokering of a peace agreement by U.S. Senator Mitchell. Four generations of strong women characters are the fabric of this exquisitely written tale. Definitely one of the top literary books of 2013. Highly recommended.

The Silver Star by Jeannette Walls
Another strong story of the dysfunction of family and how love overcomes all. Liz and Bean are 15 and 12 respectively when their disillusioned mother Charlotte, who is still trying to “find herself” takes off for too long. The sisters decide to journey to Mom’s home town in Virginia and visit Uncle Tinsley where a host of past history comes to the forefront. Both heartbreaking and filled with the flaws of family, Walls paints a portrait of love overcoming all, even with the help of a couple of errant emus!

The Night Circus by Erin Morgenstern
My favorite summer read of 2012. Step into a world of enchantment at the turn of the Century. A duel between two young competitive magicians, but beyond the black and white striped circus tents a love match is in the making. Ethereal, whimsical and utterly transporting you will want to join the night circus and cheer for Celia and Marco. This debut novel is mesmerizing in both imagination and beautiful prose. Enjoy!

The Sisters Brothers by Patrick DeWitt
A cowboy noir, think Cohen brothers. Eli and Charlie Sisters are bountry hunters, but Eli is considering an alternate career path. At times violent but alternatively so laugh out loud funny it is often times hard to remember they are bad guys. Take a rollicking ride through the gold mining country of Northern California as the brothers track the mysterious Hermann Kermit Warm, who happens to have a secret formula for detecting gold. Refreshingly different and imaginatively written. For the reader who loves the offbeat.

The Power of One by Bryce Courtenay
The best coming of age saga you will ever read. Set in South Africa during the beginning of apartheid we see both the beauty and brutality through the eyes of a young English boy, Peekay. One of the most memorable characters of fiction, Peekay overcomes impossible odds to realize his dreams: to become a winner. Captivating, inspiring, magnificent, brilliantly written. A must read!

The Orchardist by Amanda Coplin
Coplin’s novel depicts a powerful new voice in describing the landscape of the Pacific Northwest, as you feel the beauty and solitude of the land. The author has populated the story with a wide range of characters who have been scarred by the harshness of life. Talmadge seeks redemption at all costs to himself, Della mindlessly tests herself, the environment and cultural mores in her focus on revenge and the assuage of guilt, Angelene forging the only life and sense of family she has known. Told in often spare but beautiful prose, the elements of the plot brings up many questions of our humanity and what motivates us. A fantastic Book Club selection. You won’t stop talking about this one.

Bad Monkey by Carl Hiaasen
Summer is not complete without the hilarity of a Hiaasen romp. He consistently creates over the top eccentric characters, who do the improbable, and is always set in Florida where apparently anything can, and does, happen. Always showing the results of greed, avarice and capricious human behavior in the most outlandish way, yes there is even a monkey in this exploit. Grab your favorite summer drink, a shady comfy hammock, and enjoy an afternoon delight.

The Other Typist by Suzanne Rindell
An unreliable narrator is at the forefront of a psychological suspense page turner set in the Gatsby era of New York. Rose is a typist who receives confessions from criminals to record their crimes for the NYPD, Odalie is the glamorous new girl in the typing pool who possess an air of mystery and is ready for everything the Roaring 20’s has to offer. Rose cannot help falling under Odalie’s spell… This one will have you wondering until the final pages.

Sarah Butler's "Ten Things I've Learnt About Love"

Alice is a bit of a mess. She’s a chronic runner—restless in school as a child, flitting from job to job, escaping to far off places when things get tough— Alice isn’t one to face life’s problems head on, or even in the same country.

Daniel is a wanderer. Some might call him a tramp, a vagabond, others a bum or vagrant, but Daniel is searching; walking the streets searching the faces of Londoners for a glimpse of the daughter he’s never met.

When Alice’s father’s health takes a turn for the worst she must return to the home she fled. Thrown back into the midst of family and relationship problems; seeking answers to her mother’s death over two decades before, her father’s seeming distance, and the complicated lives of her older sisters, Alice must find the strength to face not only the issues of her life, but her future.

An encounter between Daniel and Alice has the possibility of opening both of their eyes to a world that’s
beyond their private fears and lives.

Told in first person, with chapters alternating between the perspectives of both Daniel and Alice, Ten Things I’ve Learnt About Love is a beautifully inventive story. Unfolding slowly, with only snippets of the past being revealed through both the narrative and top ten lists that appear at the beginning of each chapter, author Sarah Butler is able to take a small piece of a much larger story and make it seem whole and perfect. Her two main characters are infinitely flawed, but they are also endearing in their total humanness—failings and triumphs—as they meander their ways through life, both running in some way from the hurts that life can dole out. I loved how this novel is really just a glimpse into their life stories. The reader only gets pieces of the larger past, and to an extent, not everything is tied up neatly at the story’s conclusion, but nonetheless there is still a sense of satisfaction in what the reader does get from the narrators, and the eventual end, which signifies that while this part of the story has concluded, it is in fact not the end. As in reality; life goes on when a chapter closes, and anything is possible.

Ten Things I’ve Learnt About Love is a wonderful glimpse at two lives. It shows how all of our choices have an impact somewhere and on someone, but that in the end they are our choices to make. It’s about love and its many incarnations; familial, paternal, romantic, friendly, and how it can change our lives in an infinite number of ways. A layered, well-written debut, I can’t recommend it enough for book clubs or those who enjoy an intimate look into the age old question “where do I belong”. If you read carefully, Ten Things I’ve Learnt About Love just might give you a lesson or two.

Want to read Ten Things I've Learnt About Love with your Book Club? Download the Book Club Kit here. 

The Yonahlossee Riding Camp for Girls: One of This Summer's Most Anticipated Books

The Yonahlossee Riding Camp for Girls, now there’s a mouthful. I predict that this book title will be the most butchered title of the summer. It just might be up there with the like of The Guernsey Literary and Potato Peel Pie Society and Divine Secrets of the Ya-Ya Sisterhood. That being said, this book has already been named a most anticipated book for Summer 2013 by The Wall Street Journal and Publishers Weekly, and it’s only fair to say that booksellers should get used to the different interpretations of this title that will be bandied about as the word spreads and book clubs tromp through the doors to get their hands on the new hot read.

Here’s the plot in brief:
It’s 1930; America is in the midst of the Great Depression, families are losing money, homes, and their lives. In the midst of the country’s turmoil sits 15-year-old Thea Atwell, the only daughter of a Florida doctor and his beautiful wife. Thea’s family is wealthy thanks to her mother’s citrus groves, and has led a sheltered, unstructured life, roaming her family’s fields on the back of her pony Sasi with her twin brother Sam at her side. When we meet Thea she is in the midst of familial banishment, shunted out to the mountains of North Carolina, so far and so drastically different than Florida, to The Yonahlossee Riding Camp for Girls, an elite boarding school for the daughters of the upper echelons. It is here, that Thea, banished from her family due to mysterious circumstances, must fit into the complicated social order that is an all-girls school, while dealing with her own issues of guilt, resentment, and abandonment toward her family.

I’ll start by saying that I was immediately immersed in this book. Told from an adult Thea’s perspective as she looks back at her life, is it easy to empathize with her teenage self; separated from her idyllic home and thrust into the competitive environment of other teen girls, mourning the lost connection with her twin with whom she has been inseparable, and suffering the shunning from her mother. As the story progresses and the reader learns more about Thea’s life and the probable reasons of her banishment that involve the only other teen she had contact with—her cousin George, the sympathy remains, along with a twinge of contempt for the naivety of her mother, and the willful blindness she displayed to the goings on. Author Anton DiSclafani know just how to pull the heart strings, with the right amount of angst and resentment and that cleverness perfectly sucks the reader into the story and firmly implants Thea as a solid, yet tragic hero. The brilliance of this writer is truly displayed in how she slowly and subtlety adds more to Thea’s character and backstory, throwing in little tastes of Thea’s less than perfect traits, stacking them up slowly, so that when the reasons behind the banishment are learned, the reader is so enmeshed in the world through seen through Thea’s eyes, that it becomes nearly impossible to condemn her actions. I say brilliance because the actions of Thea are really reprehensible when removed from the context of the narrative (actually, in my mind they are reprehensible period), and when the shameful reason behind her exile comes to the forefront the reader is still on her side. It’s like being caught up in the gaze of a hypnotist, difficult to breakaway, and in the case of Thea, even harder to condemn.

Having finished, and been given time to digest the plot and motives of its main character, I have come to a far different conclusion; Thea is not a victim—she made her choices willfully and defiantly, but she can be sympathized with to some extent as being a product of her time. Instead of being villains, the Atwell parents bring on their own destruction, both because of the era and the hardships of the Depression, but also because in separating their family from the world at large, they in a sense engineer their own demise. Yet, in the end, when looking back at all that Thea has wrought by her actions, it is clear how much of a path of destruction she left behind her. She is a product of the time—a girl, naïve in her approach to worldly things like sex, politics, money, and society in general, yet because of her isolated upbringing both she and her twin Sam were unable to blossom into fully formed moral human beings capable of becoming healthy members of the world. I’m philosophizing here, but Thea is an almost sociopathic blend of naivety and selfishness, it is her actions that set the ball rolling in a downward spiral, she needs to be punished, and yet in reality it is not Thea who is ultimately punished, it is the family that turned her away, incapable of moving on. Thea is hero and villain, her family the tragic remnants of a battle they didn’t even know had started, and it is they, not Thea who suffer the price. Thea is the champion in this narrative, winning the reader to her side, but upon further contemplation, she is a harbinger of destruction, both contemptible in her actions, but oddly amazing in her resilience, something her parents lack.

I’m torn. This book was phenomenally good. I really felt for Thea, I hoped her parents suffered for their abandonment, for choosing Sam over her. Ultimately, their eventual suffering, even though it stemmed from their own blindness and bad judgment, was so shattering that I can’t help but be frustrated. You love a character, skim over her sins, but when everything else is destroyed by her choices how can you enjoy the aftermath? I was enthralled by the first three quarters of The Yonahlossee Riding Camp for Girls, and irritated by the last quarter because of Thea’s blasé attitude and seeming lack of awareness that she was the catalyst of all the misery. Maybe these feelings speak to the talent of the author and her compelling narrative. Perhaps they are a more accurate depiction of what happens when a child is denied socialization and accountability. Maybe if Thea’s parents dealt with the issue instead of just removing the elephant in the room, the outcome would have been different. Life is a series of what ifs; postulating on the parents mistakes, the role of society in that era, and Thea’s choices isn’t going to give me anything, but a headache, and it is this that speaks to Anton DiSclafani’s talent as a storyteller, she is making me think, there might even be a catharsis somewhere in there. A good storyteller charms you with the lore, a great one makes you deconstruct it and feel emotion, positive and negative, question it, revel in it. I might be ethically frustrated by the outcomes of this novel, but while reading it I was invested, and it is that investment, created by the mesmeric narrative, which makes it a book worth reading and discussing.

Reading Beth Hoffman

It is great fun to find fantastic debut novelists. It’s something that every bookseller gets to enjoy, and do quite frequently, but I have to admit to a bit of nerves when it comes to sophomore efforts. There’s nothing worse than falling in love with a debut author, only to have those feelings thrown in your face with the production of a lackluster second novel. It happens more often than not, and as a reader it is always a bit crushing. So, it was with some trepidation that I picked up Beth Hoffman’s new book Looking for Me. I absolutely loved her debut Saving CeeCee Honeycutt and was a little afraid that I would be disappointed by this second novel. Well, let me tell you how foolish those worries were.

Looking for Me is a fantastic second novel. It possesses the same charm as its predecessor, drawing readers in with its southern warmth and anecdotal tone, while also maintaining the remarkable insight and depth that I believe readers will begin to associate with Hoffman’s writing. Beth Hoffman has that rare quality as an author to present a seemingly light and easy read, only to have a fully-fledged novel that is not only engrossing, but also intelligent, and brilliantly written. Her use of language is beyond simple charm, her sentences flow like warm honey to be savored and reread, and her characters are fully functioning, living and breathing people—ones you wish with all your heart you could get to know.

Told in first-person, and bouncing back and forth through time, Looking for Me tells the story of Teddi Overman, a talented furniture restorer and owner of an antique shop in South Carolina. Born on a farm in Kentucky, readers are introduced to the Overman family; Teddi, a girl who’s love from antique furniture leads her on a road of self-discovery, Teddi’s silent and wonderful father Henry, her perpetually disappointed mother Franny, and her brother Josh whose affinity with nature, in particular rare birds of prey, provides readers with a heartbreaking mystery. As Teddi’s life unfurls, bouncing between her present and memories of her childhood, I was delighted to only be captivated be her life, but to also be engrossed by her love of antiques—learning more about restoration and estate shopping in a way that was both entertaining and emotional, than I ever could have thought. These instances are so well-written in fact, that I, who have never had an interest in these things, found myself wanting to look up terms on Google and pop out to the next big estate sale in my neighborhood. To get non-crafty me interested in furniture restoration is a fete in itself! Hoffman also manages to effectively and lastingly tug on the proverbial heartstring as she addresses Teddi’s strained relationship with her mother, and her brother’s mysterious disappearance, in a way that manages to forgo the mawkish sentiment or cheesiness that so often finds its way into novels.

This is a deceptively complex story that is beyond readable, it’s enchanting, lovable  beautiful, and full of depths that one would not expect from a novel that might appear lighter in content than some. Looking for Me is one of those books you pick-up and literally do not put down, not because of suspense or turmoil, but because it is so well-written, and the characters so believable and rich, that it mesmerizes with the first paragraph. Beth Hoffman is just that good and I will never again feel trepidation that her next novel won’t be good enough—she’s secured my fandom for life.

Come meet Beth Hoffman at Warwick's on Tuesday, June 4, 2013 at 7:30 pm. Details available at http://warwicks.indiebound.com/event/beth-hoffman-2013.

John's Playlist

It's that time once again to feature one amazing Warwick's bookseller and their current "must reads", or as we call it, their "playlists". This week John is presenting a unique selection of books, both fiction and non-fiction sure to entice a diverse group of readers. John, who has been at Warwick's since March of 2000, is someone who wears many hats at Warwick's, among them book buyer, bookseller, and receiver--his enthusiasm for smart literature and fascinating non-fiction helps to make him one of our most well-rounded readers, as seen in his picks below.

Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity by Katherine Boo
Boo, a Pulitzer Prize winning journalist, writes evocatively and movingly about the people living in Annawadi, a slum in the shadow of the Mumbai airport and a row of the city’s luxury hotels. The people you meet in this book (especially Abdul) will stay with you, will haunt you, as powerfully as any character you have ever encountered in fiction. Given both the hands-on depth of her research and her restrained yet evocative writing, I am certain that no better book has ever been written, or ever will be written, about how the struggle to survive in conditions of abject poverty shapes and distorts human personalities, families, and communities.

Big Data: A Revolution That Will Transform How We Live, Work, and Think 
by Viktor Mayer-Schönberger & Kenneth Cukier
Analyzing big data — that is, massive and complex collections of data — has already yielded astonishing results and will utterly transform the world. This is a must-read book for, among others, scientists, doctors, policymakers, and business people. Really, if you care about the future, you should read this!

The Book of Barely Imagined Beings: A 21st Century Bestiary 
by Caspar Henderson
This book won me right away with the sheer beauty of its cover, typography, and illustrations — all of which remind one of the medieval bestiaries that inspired this book. This A-Z bestiary (Axolotl to Zebra Fish) of weird, delightful, amazing, and very real creatures entertainingly weaves together natural history, human history, philosophy, science, and literature. It certainly achieves the goal set by the author of better understanding and imagining “being and beings.” You will indeed think about the world, its beings, and yourself differently and more profoundly after reading this book.

Ghostman by Roger Hobbs
A compelling “bad guy” protagonist, “wise” dialogue, an almost geek-like fascination with criminal machinations, a high body count, and a ticking clock suspense plot — this debut thriller has a lot going for it, and . . . it delivers! Hopefully, this will be the first in a long series of books.

Gulp: Adventures on the Alimentary Canal by Mary Roach
Nobody writes science with more humor, with more of a love of scientists and the crazy things they study, with more of a mischievous delight in enlightening her readers by making them squirm than the brilliant Mary Roach. Her current book, a tour of the human body from sniffing to chewing to digestion to excretion — that is, mouth to anus — is quite possibly her best one yet. I guarantee that you will not only be entertained and enlightened, you will also find it nearly impossible not to share with your friends and family all of the fascinating things you learn about saliva.

How to Create the Perfect Wife: Britain's Most Ineligible Bachelor and his Enlightened Quest to Train the Ideal Mate by Wendy Moore
Possesed of a love of liberty and of stoicism, moved especially by a terrifically bad reading of Rousseau, Thomas Day adopts some orphans and, having failed to get anyone to the altar, sets about to create a well-educated, stoically virtuous, and obedient wife. Wendy Moore develops out of this crazy story a grounded and nuanced portrait of the interplay of education, enlightenment notions of liberty, and gender in Georgian England. Day’s activities would ultimately be a source for many literary works, but the story of what eventually happened both to him and to Sabrina is perhaps the most fascinating part of this entertaining and, at times, jaw dropping social history.

How to Get Filthy Rich in Rising Asia by Moshin Hamid
Narrated by “you,” Hamid’s novel is a “self-help” book, one that in relating the life story of its narrator, proposes to show the reader how to thrive amidst the corruption, wild entrepreneurship, crime, violence, and rapid urbanization that characterizes the “Asia” of the title. This is also a modern love story, a tale of personal rise and fall, and a satirical take on the ravages of urbanization and modernization. Hamid's inventive, unsentimental prose and his sharp wit will have you flying through this book.

Lost in Shangri-La: A True Story of Survival, Adventure, and the Most Incredible Rescue Mission of World War II by Mitchell Zuckoff
In 1945, a plane crashed in an isolated valley in the mountains of Papua New Guinea. The three survivors of the crash — a WAC and two GIs — found themselves wounded and trapped in a valley populated by warrior tribes. Their dramatic rescue was global front page news in 1945. Zuckoff has peppered this compulsively readable narrative with fascinating details. Great stuff!

Thinking Fast and Slow by Daniel Kahneman
The work of Daniel Kahneman and his collaborator Amos Tversky transformed cognitive science, the study of psychology, and led to the emergence of behavioral economics. Many popular books in business and science are rooted in their work. Now you can get a more detailed and nuanced portrait of their work and its results directly from the source in this intellectual masterpiece. Most surprising is how accessible and entertaining this book truly is. It will also, if you work at it, improve your thinking.

Wolf Hall by Hilary Mantel
Wolf Hall is one of the best historical novels I have ever read. The only recent rival for me is Mantel’s second book in the Cromwell trilogy, Bring Up the Bodies (in paperback in May). Her prose is far more vital than one usually finds in a historical novel, and her ability to write and observe believably from inside the head of Thomas Cromwell is staggering. I thought I was done reading about the Tudors until I read the first page of Wolf Hall.

"The River of No Return"

Fans of Deborah Harkness’s A Discovery of Witches rejoice—The River of No Return is here!

No, it’s not another book in the Witches series, and no it is not another book from Harkness herself. Instead, it is a debut novel written by another professor (Harkness is at USC); this time by a professor of English literature at Bryn Mawr College, Bee Ridgeway, and her story is 100% sure to grab your attention and devotion if you are a fan of Harkness.

The River of No Return (not to be confused with the Robert Mitchum/Marilyn Monroe film) follows the story of Nick Davenant, nee Lord Nicholas Falcott, a young man thrust through time during the heat of battle in 1813, landing in 2003 to discover he has a unique gift, one that allows for the manipulation of time. It is there that he is taken under the wing of the Guild, a group of powerful men and women with the same abilities as Nick. Ten years later, Nick is plunged through time once again, this time by the Guild, in order to investigate a terrible hole (called “the Pale”) that is threatening the future. Back in his own time Nick is reacquainted with his young love Julia Percy, a Lady with mysterious ties to time, the Guild, and the Guild’s enemies, and who may have the answer to everything.

There is obviously much more to the plot, it’s a fantasy that weaves between time and characters, building itself a rich history and background, laying the groundwork for future sequels. Much like it’s counterparts in fiction, Diana Gabaldon’s Outlander and the Deborah Harkness books, The River of No Return has a plot that is intricately drawn and difficult to describe in detail without divulging too much of the plot (something that drives me crazy in reviews). Yet, unlike the books by Harkness, Ridgeway’s book is much more tightly edited, without the pages of droll description or meandering conversation about subjects that have no real bearing on the plot (wine and yoga in the case of Witches). The pacing is good, and only slows to a squeaking (not quite screeching) halt when the concept of “the River” and time are philosophized upon. The book is of course not without fault. Its characters are interesting, although with a few of them it is clear that the author is trying desperately to give them depth and mysterious undercurrents, but instead reduces them to over-dramatic and somewhat farcical creatures. The writing at times loses its crispness, not the plot mind you, but the writing—something that is more common with debuts, and is sure to be honed by the time the sequel arrives. Also, it does leave readers hanging; a plot device that, in this series driven world of entertainment, is something that seems as unavoidable as death, and yet is done in such a way that readers will not be prone to throwing their books across the room in frustration (yes, I’ve done this) because nothing has been resolved.

In all, The River of No Return is a wonderful read. It is fantasy, it is historical, it is romance, and it is intrigue— all those things that help to create a rich and entertaining narrative. If you love those genres, or are a fan of A Discovery of Witches, you will thoroughly enjoy Bee Ridgeway’s debut, and like me, be eagerly waiting on the next installment.

Kate Morton Fandom

People are creatures of habit and to some extent, at least in terms of entertainment, fandom. This is seen in how movies, television shows, actors, music, bands, etc… are inhaled and spit out by a clamoring public. How else could there be four Pirates of the Caribbean movies (please don’t tell me you actually thought they were good)? The same concept holds for books and their authors. Even if they are not “great” or “avid” readers, everyone seems to have their favorite authors. These are the writers whose books we immediately purchase no matter the subject or genre. Some people are hooked on George R.R. Martin, some on Michael Chabon, others veer towards James Patterson, Danielle Steel (don’t worry, I’m not judging you…at least in this blog), while other still are hooked on writers from our past, like Steinbeck, Austen, Nabokov, Hemingway, or one of the Bronte’s—who may not be writing anymore, but as soon as a new annotated version of Lolita, or illustrated Wuthering Heights is released, watch out, those fans are there. I have both witnessed and participated in this phenomenon. My grandmother was a big Jane Austen fan, and upon her death I found multiple copies of each Austen book (we are talking 4 or 5 copies of just Pride and Prejudice alone), as well as just about any book about Austen, her style, her home life—even a décor book—that could be imagined. That’s dedication! Now, I have my authors too, working in the book world, how can I not. My book shelves pay homage to writers like Mary Stewart, Max Barry (all but Machine Man, which I read, but couldn’t bring myself to keep), Tana French, Susan Elizabeth Phillips, and Carol O’Connell. Another author whose titles grace my shelves—and is really the topic of this blog—is Australian novelist Kate Morton.

Kate Morton is one of those novelists who create stories that sweep across time, weaving in and out of eras, switching between narrative voices and views with profound skill. Her four books The House at Riverton, The Forgotten Garden, The Distant Hours, and the newly released The Secret Keeper, all use the devise of flitting between a modern story and one from the past, by creating an intriguing mystery that leads its modern day heroine to delve into the past in order to unearth the truth. Morton’s pasts are tragic. The characters suffer—for love, for war, for sisterhood, motherhood—for life itself, creating an interesting bond between not only the “mystery-solver”, but also the reader, as both protagonist and reader have the past slowly unfurled for them. It is easy within this type of storytelling to run to the melodramatic, but Morton is adept at running on that knife edge, providing an emotional core to her plot without falling into the stereotype. Kate Morton is a magician with a pen (or, more accurately in this day and age, Word Processor). Her characters are flawed, three-dimensional beings and her settings are richly defined without dragging the reader into a dull description of the landscape that more often leads to skimming, than appreciation. While her mystery plotlines, or rather twists are a touch on the predictable side, it is easy to overlook when confronted with such a rich tapestry of character and place.

In her newest novel, The Secret Keeper, Morton excels at connecting the story of Laurel, a well-respected older actress, with that of a trio of young people living in London during the Blitz. The novel interlaces the lives of Vivian, Dolly and Jimmy, switching between their narratives with that of Laurel as she struggles to unravel the mystery surrounding her mother and the long ago death of a visiting stranger at her home. In a time where I have been struggling to find a book I really love, The Secret Keeper has been a welcome breath of fresh air. Along with another of Morton’s books, The Forgotten Garden, The Secret Keeper has created characters and storylines that have enthralled me. I really can’t do them justice in explaining how Morton’s characters ignite a spark of compassion, an emotional link really, that is difficult to find in other novels. Her books are much more than good stories, they are in a sense, epics; not so much in the sense of something like the Ken Follett books or Gone with the Wind, but in the sense that her creations, these beings developed in her imagination, are really brought to life in a way that leaves vestiges of them in your mind long after you’ve put the book back on the shelf.

So, you readers with supreme author allegiance and a yen for good fiction, here’s my challenge—pick-up a Kate Morton book, read it, enjoy it and then move on to the next. Before you know it you will have a Kate Morton section of your book shelf too.

*Want to meet Kate Morton? Stop in at Warwick’s on Thursday, October 25th at 7:30pm. She will be discussing The Secret Keeper, followed by a book signing. Click here to learn more.

Classic Hollywood Revisited

Iconic Hollywood stars have frequently been the subjects of books. There is always a new bio or photo book featuring the likes of Audrey Hepburn and Grace Kelly, or a new biographical look at Humphrey Bogart, Bette Davis, or Joan Crawford; even Hedy Lamarr got her intellectual due in Richard Roades’ Hedy’s Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World. In Fiction, there too have been glimpses into the possible lives of these larger than life figures; from Susan Elizabeth Phillips’ look at Errol Flynn in Glitter Baby, Marilyn Monroe in multiple books, including Joyce Carol Oates’ Blonde and the current The Empty Glass by J.I. Baker, Louise Brooks in Laura Moriarty’s The Chaperone, to Frank Sinatra and Jackie Gleason in Don DeLillo’s Underworld. The point is, celebrities, particularly those from the halcyon days of yesteryear are frequent subjects of the written word. Many of these works are interesting and informative, some preposterous and maddening, but mainly they are a type of book that draws readers looking for sensationalism or a glimpse at an era that never ceases to fascinate. So, I was not too surprised to come across several books this summer that dealt with the classic Hollywood scene, but I was surprised by their quality, particularly that of two novels, Emma Straub’s Laura Lamont’s Life in Pictures and Jess Walter’s Beautiful Ruins. The books are incredibly different in context and presentation, deal with two different eras of Hollywood, but both are well-written snap shots of a time and people that continue to fascinate us.

While Laura Lamont’s Life in Pictures does not feature a real-life celebrity, it does perfectly recreate the feeling of the studio-machine driven age of cinema. From the height of the studio system in the 30’s and 40’s to the revamped look of the late 70’s, this is a novel that brilliantly evokes the life and times of a studio-made star. Laura Lamont’s Life in Pictures follows young Elsa Emerson, a girl raised within her parent’s Wisconsin theater company who plots her way to Hollywood and is remade for eventual stardom as the glamorous Laura Lamont. This is more than a novel, it plays out like a 1950’s film, or even one of those epic studio stories (some true, some fabricated) of how someone became a star. In fact, I had a hard time not picturing someone like Lana Turner in my mind while reading this novel. It unfolds like a brilliant melodrama—a suicide, teen marriage, divorce, marriage to a studio head, stardom, age—and yet, this novel is wonderfully written, not a dramatic soap opera, but a sort of love letter to the Golden Age of Hollywood and its products, the movie stars. A deceptively simple story, Laura Lamont’s Life in Pictures is surprisingly gripping in its honest humanity, and cleverly written characters. Straub’s obvious love of this time period within the movie-making world helps to round it out presenting a well-thought out, interesting novel with remarkable understanding of the era, Hollywood studio system, and what it meant to be an aging female film star during this time period. In all it’s a fresh and charming new novel, perfect for classic movie fans.

Beautiful Ruins is an entirely different beast. Unlike the linear third-person limited narrative of Laura Lamont’s Life in Pictures, Beautiful Ruins is told via a multiple third-person narrative that bounces not only between characters, but also through time, place, and at points leaves the primary story to show excerpts from fictionalized books and screenplays. From 1962 Italy and the filming of Cleopatra (the most expensive US movie), to current Hollywood, with sections in Scotland, London, Seattle, and Idaho thrown in; Walter’s unique style creates not only a touching story of a love that could have been, but also a deftly drawn portrait of the demise of the movie star as an untouchable god (pre extreme-paparazzi), and the transition from epic films to reality garbage, lacking any sense of prestige and glamour. It adroitly shows the inner workings of film publicists and producers looking to exploit everything and anything to sell their products, the turmoil created by the desire to be famous, post-traumatic stress, and the general narcissism and technological dependence of the current generation. On the Hollywood front, actor Richard Burton is takes a co-starring role—his actions literally spur the plot of the entire story—his drunken escapades, remarkable talent, and on-set affair with co-star Elizabeth Taylor (prior to their 2 marriages) are imaginatively recreated, using much of the lore and fact that fans have come to associate with the couple’s tumultuous relationship. The addition of an ill actress (a fictional character who is part of the Cleopatra cast), an alcoholic former solider/writer, a canny and amoral publicity grunt, and a young Italian trying to save his dying hotel, help to create a setting that is almost film-like itself in its capture of drama and occasional bouts of comedic flair. The sections taking place in current times are less thrilling, far more irritating in view of the younger characters’ self-absorption—one is looking to sell a ridiculous screenplay based on the Donner Party, the other is a production mogul’s development assistant/lackey with a dependence on data fixes and a porn addicted boyfriend—but Walters uses them effectively in bringing together the threads of the story as it bounces between decades and characters. In all, Beautiful Ruins is intriguing, very stylized in its presentation, and a wonderful look at Hollywood’s transition from its Golden Age.

There are so many books published dealing with this theme that it can be daunting to take on the task, particularly for a fan of classic films, not looking to see their favorite star/era/movie diminished in stature, but taking up either of these novels, whether it be the stylized Beautiful Ruins, or the homage to the studio system of yesteryear within Laura Lamont’s Life in Pictures, readers are sure to find pleasure within their pages. Great reads for readers of varying styles and a love of interesting characters.

A Note from Samantha: Enjoy Your Last Summer!

Karen Thompson Walker’s debut novel, The Age of Miracles, has been passed around the Warwick’s staff. To date, upwards of eight staff members have finished the book – very unique for a single novel and our diverse staff. If you have yet to hear about The Age of Miracles, let me fill you in. The story takes place in suburban San Diego (Del Mar if you want to be precise), and follows the life of an eleven-year-old girl named Julia. One day, Julia and her family, along with the rest of the world, wake up to learn that the rotation of the earth has slowed down. “The slowing” affects everything – gravity, the magnetic field, plants and animals. As much about “the slowing” as it is about it affects Julia, her family, and her friendships, The Age of Miracles is my favorite book of this summer.

Back to the point. I hate to call The Age of Miracles an ‘apocalyptic’ novel, but there is no denying that “the slowing” changes everything about life as we know it (assuming we were living in Karen Thompson Walker’s fictional world). I hesitate to call it apocalyptic because to many people that kind of story is a turn-off; when they hear “apocalypse” they imagine an asteroid on an inevitable track towards earth, or a widespread outbreak of some contagious, incurable disease. They might even imagine something more recent like last summer’s fictitious Rapture or this year’s coming end to the Mayan calendar. As more and more of my coworkers finished The Age of Miracles, the more we began talking about our favorite end-of-the-world novel. Since the end of the Mayan calendar is the latest and greatest world-ending phenomenon people are buying into, here is a selection of books we recommend so you can “enjoy your last summer!” From a “Maya 2012” travel guide that will take you through Mayan Mexico, Guatemala, Belize and Honduras to Tom Perrotta’s rapture-like novel The Leftovers, you have until December 21, 2012 to get through this list. Or maybe not… I guess we’ll have to wait and see.

The Age of Miracles by Karen Thompson Walker
Pure by Julianne Baggott
Eleventh Plague by Jeff Hirsch
The Passage by Justin Cronin
The World Without Us by Alan Weisman
Blindness by Jose Saragamo
Ready Player One by Ernest Cline
Robopocalypse by Daniel Wilson
World War Z by Max Brooks
Never Let Me Go by Kazuo Ishiguro
The Road by Cormac McCarthy
2012 by Daniel Pinchbeck
Maya 2012 published by Moon
The Leftovers by Tom Perrotta
Now Panic & Freak Out published by Andrews McMeel Publishing
Children of Men by PD James
City of Bohane by Kevin Barry
Alas Babylon by Pat Frank

Samantha is a bookseller at Warwick's

“If You Like This…” Vol. 3: The Musical Edition

Music is much like literature; it entertains, it’s cathartic, the right song can send you into the heights of glee—the wrong, into a melancholy stupor. All these things can also be said about a book, and much like its literary counter-part, music is subjective. Just because I like Florence + the Machine doesn’t mean you will, neither would my preference for Gaston LeRoux’s book The Phantom of the Opera over its musical twin by Andrew Lloyd Weber have any effect on your own personal preference. Much like a good wine and food pairing musical preferences and reading material can blend together quite nicely, creating a smorgasbord of stimulation for your brain. Many books use music within their pages to create a fuller image for their readers. Authors like Nick Hornby, Gayle Forman, Stephenie Meyer, Rob Sheffield, and many others, have all used song lyrics or titles to further the emotional experience for their readers and create a new sensory reading of the book. All booksellers can answer the “If You Like This Book” question, but could we do it with music and apply it to a book? With that thought in mind, the Warwick’s staff was put to the test to try and match-up a few specific songs or albums to books that perfectly complement them. So this month’s edition of “If You Like This…” is devoted to music and the books that match.

If you like Blue October’s Hate Me or Rob Zombie’s Living Dead Girl…

Just pick-up something by Gillian Flynn. Her edgy mysteries with chronically self-flagellating, borderline psychopathic characters blend with either of these songs. I recommend listening to Blue October with (what I think is her best book) Sharp Objects, while the lyrics don’t necessarily go with the plot, the overall feeling generated by the song really goes well with the book. The Zombie really goes well with any of Flynn’s three books, but probably best with Dark Places.

On a side note, I saw a modernized production of Swan Lake that used the Zombie song and it worked tremendously well—so if you are in the mood to blend the classic with something a bit harsher this is a great way to do it.

If you like Tori Amos…

Read Some Kind of Fairy Tale by Graham Joyce. Amos’s ethereal tones complement the book’s blurring lines of reality, fantasy, and possible delusion. This is one artist you can softly listen to while reading the book, if you are one of those people who likes to have a little audio to accompany your reading time. I would recommend her Scarlet’s Walk album (it helps that one of the more recognizable songs from the album is called A Sorta Fairytale).

If you like Willie Nelson’s new album Heroes…

Try Charles Frazier’s latest book Nightwoods. The bluegrass sound Heroes perfectly emulates the rural setting of this rich suspense novel. Nightwoods tight narrative and eerie surroundings evoke hints of the song Hero and others on this eclectic collaborative album.

If You like Phoenix’s Lisztomania or Feist’s 1 2 3 4…

You should be reading Shine Shine Shine by Lydia Netzer. Bear with us on this one while we explain our reasoning. While the book in no way suggests the meaning of Lisztomania (which roughly calls up the mania of Franz Liszt fans in the 19th century) something about the upbeat sound of it seems to mix brilliantly with this quirky love story. As one reviewer said about the song “…Lisztomania is nevertheless carefully and lovingly composed, breaking out the ebbs, flows, breakdowns, build-ups, and a frantic two-note intro that will exert a Pavlovian effect on fans”(Stephen Deusner, http://pitchfork.com/reviews/tracks/11198-lizstomania/). This mash-up of sound is quite similar to the occasionally frenetic interweaving of time and space as Shine Shine Shine follows its one-of-a-kind couple of Maxon and Sunny.

1 2 3 4 has a sweet quality to it that evokes a reminiscent quality of young love, both past and present. As Shine Shine Shine is a sort of “autistics in love” (there really is no better way to describe it) story, that uses numbers, formulas, science, occasional manic acts, and revolves around two completely unique, naive, yet incredibly moving characters—it just fits with the overall effect of Feist’s song.

If you like…a quick guide…

The Rolling Stones: You’ll like Keith Richards’ Life. Yes we know this is obvious, one of our booksellers is a smart aleck, but we love her anyway and had to include this.

Florence + the Machine’s Ceremonials: Try Anita Shreve’s Strange Fits of Passion.

Johnny Cash’s Hurt: Anything by Cormac McCarthy—seriously, try it—they work together.

The Chemical Brothers: Read Snow Crash by Neal Stephenson the electronic sound of this music duo is a great match with the brilliant techno geek sci-fi novel that is Snow Crash.

Don’t think a musician/song go with one of these books? Give us your ideas; we would love to hear other match-ups. The staff loves music and obviously books and is always eager to learn about new artists in both arenas.

Teen Guest Blogger Reviews "Tiger Lily"

In continuation of our Teen Blogger series, 13 year old Maggie reviews Jodi Lynn Anderson's new novel Tiger Lily.

Tiger Lily was something of a magical book. I was immediately captivated just by looking at the front and back covers, but as I quickly began the first chapter, my interest for the story diminished with every page. It wasn’t for poor character development, or boring plot, or cheesy writing, it was more a lack of all three. The first quarter of the book simply was too slow, and with each page I read, it felt like I was trudging through an endless stretch of thigh-high mud.

 And then, right around page eighty, something peculiar happened. Almost like a bursting dam, everything that makes a story amazing came out of nowhere. Intriguing characters, fascinating plot, romance, adventure, wit, wisdom, and the pure delight of a good book exploded onto the pages and suddenly I had my nose to the paper, soaking up every word as if they would disappear in seconds. I read and reread paragraphs that I loved, laughed out loud at the bumbling and goofy Lost Boys, smiled at the young Sky Eaters, and let my heart devour Peter and Tiger Lily’s romance. When I figured I should take a break from reading, I closed it up and put it down for about five seconds, and then I felt like I had let the book down, like if I had a minute or two more to read, why shouldn’t I?

I ended up reading around two hundred pages in one night, just because of that theory. And once I closed its magical pages for good, I lay in bed, unable to go to sleep because certain lines, twists, and tidbits from Tiger Lily floated around in my head, never going to let go. Tiger Lily might’ve not won me over at first, but I know now that sometimes you have to dig a little deeper than normal to find the gems you want. Jodi Lynn Anderson has crafted a fantastic novel for fans of Peter Pan and a good book alike, and it is certainly destined to become a star.

Guest Blogger: A Young Reader Reviews "Monument 14"

Every so often we are able to get kids and teens from our community to read new books and give us feedback. This week, Matthew, an 11-year-old reader, gives us his take on the newly released teen book Monument 14.

Monument 14 is a fantastic book. The story is based in the 2020’s, but unlike most books that are in the future, the world of Monument 14 is fairly similar to 2012, except that they have upgraded iPads called “Big Tabs”. In this book, Dean is just a regular high school kid who has a ridiculous crush on senior Astrid, the popular girl. On the way to school, a 10-foot long piece of hail cracks the bus windshield, which is just the beginning of a giant hailstorm. Following that hailstorm, a chemical spill and a mega tsunami hit. This leads to fourteen kids, some who are 18 and some as young as 6, taking shelter in a superstore.

This book teaches you teamwork and how to work together. It makes you feel several emotions in different parts of the story, such as anger or sorrow. Now, in this book you might find whining Chloe, or brave and courageous Niko, but you will never find two characters the same. The author, Emmy Laybourne expresses each character’s personality very well and detailed—like how Jake is the “dumb jock” and likes silly things, and hates to lose at anything. I think Emmy wrote Monument 14 very well, and she has also made it feel as though you are Dean, living the same experiences as he is. Overall, this book was very well written and it blew my mind. So, thank you Emmy Laybourne.

Monument 14 by Emmy Laybourne is currently available in the Warwick's Young Adult section and on our website: www.warwicks.com.

Matthew, an avid reader, is a 5th grader at Stella Maris Academy

Review-"The House of Velvet and Glass"

As 2012 is the centennial anniversary of the Titanic’s sinking one would be hard pressed to not come across a book, be it fiction or non-fiction, regarding the ill-fated luxury liner. Such is the case with Katherine Howe’s sophomore effort The House of Velvet and Glass, which begins its narrative just outside of the Titanic’s grand dining room on the evening of April 14, 1912. What could quickly become yet another over dramatized, maudlin look at the sinking of the ship, smoothly transitions to Boston, 1915 where a group of survivors and family members of the deceased are together in a spiritualist’s parlor attempting to ease their grief in any way possible. It is here that readers meet Sybil Allston, a 27-year-old woman whose family was devastated by the loss of her mother and younger sister. As the novel unfolds, it delves into Sybil’s life as she struggles to deal with her excruciating loss, her father’s dark moods, and her ne'er-do-well younger brother’s destructive tendencies. As Sybil tussles with the mounting issues at home and the increasingly erratic behavior of her brother she is thrown into a series of events that will dramatically change her life, and forever alter her view of the past.

Much like Howe kept this novel from being an exercise on sinking ships, she also avoids a novel full of survivor’s grief. Instead, readers follow Sybil as she grapples with the staid path her life has taken, and with a deft little twist, Howe uses chapter breaks to flit between Sybil’s father’s past as a sailor in Shanghai, and her mother and sister’s last night aboard the Titanic. The changing narratives help to weave an intriguing story, bringing in the same hint of the occult that made her first book The Physick Book of Deliverance Dane such an entertaining and unexpected marvel. For the sake of the revelation, I won’t go into these supernatural elements--I enjoyed how they so unexpectedly unfolded far too much to divulge them to readers, but I will say Howe uses her scholarly grasp of history in unique and wonderful ways.

The House of Velvet and Glass’s multiple narratives present a rich look at the lives of one family as they deal with love, loss, self-discovery, war, and a touch of the supernatural. The characters are full-bodied, rushing through the pages with remarkable realism, and at times gut-clenching decision-making and the prose is intricate, without being boring in it’s historical accuracy. This is a well-written multi-layered novel that perfectly displays the writing talents of author Howe--a wonderful and engrossing novel to read.

Mini-Review of Veronica Roth's "Insurgent"

This follow-up to 2011's Divergent is a high-paced, action filled, novel that engrosses readers from page one. Taking off exactly where its predecessor ended, Insurgent follows Tris Pryor and the other survivors of the Erudite/Dauntless attacks as they find themselves scouring the city for allies amongst the other factions, and the surprisingly organized Factionless. Alliances form, war is waged, and a shocking betrayal turns Tris’s world into an almost unrecognizable battlefield, as she must determine the course of the future. Highly engaging, author Veronica Roth proves the ability to deftly handle the intricacies of war and the need to survive when there is seemingly nothing left to survive for. Beware, like Divergent, the ending is a shocking cliffhanger that leaves readers frothing at the mouth for more. This is the sequel to read, a must for fans of The Hunger Games, Legend, or Matched, guaranteed to absolutely glue you to the page.

"The Selection"—read it before you see it.

Before it gets sucked into the land of CW and it’s array of paranormal dramas and general teen fodder, I wanted to mention The Selection, the first book in what looks to be a promising new series by relative newcomer Kiera Cass. Set in a distant future where many Wars have eliminated the United States as a high powered democracy turning it into a new country, broken into eight very specific casts and ruled by a monarchy, The Selection follows seventeen-year-old America Singer as she is thrown into an situation that will propel her from life as a lower middle class artist, to the tops of the aristocracy.

The Selection, for which the book is named, is essentially a “Bachelor-esque” contest in which 35 girls, one from each district (slightly reminiscent in concept to The Hunger Games) are brought to their ruler’s palace to compete for the hand of their Prince, Maxon. Selected, America must leave her family and love interest behind as she is thrown into a world of wealth, war, and cutthroat feminine sabotage—all for the sake of a royal marriage and cast climbing. Did I mention that this is all done as a mandatory-to-watch, nationally televised show?

 At first glance The Selection really just seems like the authors attempt to cash in on the popular dystopic trend, while adding a touch of reality television, another, albeit more obnoxious trend, but in actuality Kiera Cass manages to elevate the text above that nonsense, creating an interesting group of characters with much more at stake than receiving that (in Bachelor terms) final rose. America, Maxon, and the other teens thrown into this situation have depths and motivations beyond their 15 minutes of fame—they seek food and pay for their families who live paycheck to paycheck, they seek companionship, and in the case of Maxon—they seek someone to share the burdens of a country, and care about what happens beneath those glitzy false public images. Now, don’t get me wrong, this book is not a work of art, but there is more to it than meets the eye, and it’s entertaining without being mind numbing.

In the fall, we could very well be seeing a pilot episode of this new book on the CW, a station that has taken teen books such as Gossip Girl and The Vampire Diaries, and turned them into popular television shows with rabid followings. While, the studio has brought up book sales, and actually, in the case of The Vampire Diaries, turned an ok book into an entertaining show, it is always possible that what is great about The Selection could be destroyed in it’s translation to television. So, my suggestion is to read the book now, enjoy it for what it is, prepare for the next in the trilogy, and in the fall, take a peak at the pilot. If it’s good, great—if not, well at least you have a fun book under your belt with just the right amount of romance and intrigue.

Pick the Pulitzer

Pick the Pulitzer!

The Committee couldn't decide, can you?

Some of you might be aware of the hullabaloo surrounding this year's Pulitzer Prize Awards, namely that the fiction category was left in the dust. That's right, for the first time since 1977 a fiction prize was not awarded. So, what does this mean? Well, it means that out of the three finalists: Train Dreams by Denis Johnson, Swamplandia! by Karen Russell, and The Pale King by David Foster Wallace, the committee could not agree on a clear winner, and thus, despite the fact that the three fiction judges read approximately 300 titles and narrowed it down to these three, there will be no award.

So, now it is your time to speak out (and get a prize for your actions). Vote for your favorite of the three on The Warwick's Blog (comment section), Facebook, reply on Twitter (@warwicksbooks), or email heather@warwicks.com,  and don't forget to let us know why that particular book should have won.

Haven't read them yet? We will be offering 20% off the price of Train Dreams, Swamplandia!, and The Pale King through May 31st* so everyone can participate. And if you find that you too cannot decide between the three, write in your own vote and why it was the best published book of 2011.

We will draw five random people from the entries, who will receive $25 Warwick's gift cards. Winners will be announced on our Blog, Facebook & Twitter accounts on June 4th.

We can't wait to see who you pick!

*Train Dreams is currently on backorder at the publisher so we may extend the contest while we wait for a reprint. This will give you a great head start on Swamplandia! and The Pale King.

Not Another "Dystopic"--Okay, Maybe One More

As everyone knows, The Hunger Games comes to the theaters today (well, technically at 12:01 this morning) and it’s almost all anyone can talk about. I can’t blame the world, I’m right up there with everyone else and right after work I will in line with the masses to partake in this pop-culture phenomenon. As regular readers of The Warwick’s Blog know I have a slight penchant for dystopic stories. Well, maybe more than slight. I tend to devote a lot of blog and recommendation time to this genre, so recently I have made a concerted effort to specifically mention many of the non-genre books I read that are equally as fantastic and close to my heart. Because of this attempt to diversify my review writing I have mistakenly let a really captivating and rather innovative book go by the wayside. So, in honor of The Hunger Games movie release, I am courteously and briefly going to suck readers back into my obsession with post-apocalyptic/dystopic fiction.

Pure by Julianna Baggott has been available for the past couple of months, and thanks to my misguided attempts to diversify, has gone largely unnoticed here in the Warwick’s Young Adult section. Pure is yet another of those post-apocalyptic books where society has been split apart by war (in this book, the Detonations), with some members of the population secluded within a rigidly controlled, sterile environment and others, outside, starving in what remains of a world that no longer really exists. While this is not an unfamiliar premise in the least, what sets apart Pure from the other novels of similar vein is fusing. Those who live on the outside under an autocratic rule, with little food, and much fear are fused; meaning that during the Detonations (nuclear strikes), some were horribly scarred and disfigured, and others became fused with the environment surrounding them. Mothers became fused with their children—children who are never capable of physically growing, forever tied to their mothers arms, one boy has a flock of birds fused to his back, another is forever fused with the desert floor to become a monster of the worst and most frightening proportions, and our heroine, Pressia has a hand fused to a baby doll—its blinking eyes forever attached to what was once a hand. It is only those within the domed autocratic society that are unmaimed, or rather, “pure”. When Partridge, a pure with the highest of lineages, escapes the confines of the domed society in an effort to find the truth of his brother’s suicide and his father’s machinations, he discovers Pressia and her world of survivors. It is there that the two, along with an unlikely band of fused, uncover a plot and connections between Partridge and Pressia that take them all into a danger beyond their wildest imaginings.

What seems at first glance to be an absurd plot with a concept that could easily become cheesy and idiotic, is in actuality a brilliant use of imagination. The fusing is described in such a way that it actually makes sense from a scientific angle (at least for a layperson), and the fuses themselves—whether they are alive, like the children or birds, or inanimate like Pressia’s doll head—are almost characters in themselves, as Baggott makes clever use of them throughout this first book in, what is to be a series. It’s actually amazing how such a seemingly odd, and possibly ruinous plot point ends up “making” the story and when genetic manipulation, paramilitary groups, authoritarianism , and revolution are thrown into the mix, readers can’t help but become engrossed.

I won’t say that if you read one genre book this year, Pure is the one to read—there are too many well-written vehicles out or about to be released, but I will say, that should you choose to partake, Pure is one to give more than a second glance to.

For a bit of entertainment, check out the book trailer below.